Probably the first television series in Britain to be aimed specifically at the new
rock n roll audience, the teenager. Directed by ex-
Fleet Street journalist Ker Robertson presented the first few shows, but by the end of January 1957 Kent Walton from Radio Luxembourg had taken over with Robertson “Disc Arranging”, i.e. selecting the eight or nine discs per week. The show itself was initially only fifteen minutes long, stretching to thirty minutes later on and had very few rock n roll acts making personal appearances, relying again on visual interpretation of the lyric via dance, usually choreographed by Douggie Squires and a meagre set design. Guests would be interviewed in the studio, but no artists will be miming to their new hit.
Talking about the show before its debut Robertson said "I feel there is no need for any big presentation of lavish sets with a disc programme, which is after all, very intimate and essentially a homely pastime".
Described by TV Times as “An intimate record programme in which Ker Robertson brings viewers the hits and near hits, the songs, music and stories of the people who make discs a £25,000,000 a year business.”
By June 1957 its popularity had spread enough to warrant a network showing twice a week and would, on occasion, step outside the boundaries of the studio setting by turning up at, for example, Army and RAF camps.
In early 1958 the show extends to three shows a week. One was a thirty minute show
on Monday, a fifteen minute show on Wednesday and a compilation show on Fridays,
late night. It also increases the number of dancers to three men and three women,
one of whom is Barbara Ferris, later to become an actress. In March 1958 there was
talk of a touring stage show, something that The Six-
In April 1959 Douggie Squires leaves and Peter Darrell becomes the new choreographer, while Daphne Shadwell becomes the new director.
In December 1959 and again in Spring 1960 Labour MP Roy Mason made accusations against TV presenters who might have been involved in payola. He claimed both Robertson and Walton had direct connections with record companies, Robertson with Pye and Walton with Top Rank. Despite the allegations no proof is produced and no action is taken.
Despite being aimed at teenagers the show is sometimes puzzlingly broadcast in a late night time slot.
But by the late fifties new shows like Oh Boy!, Boy Meets Girls, Wham! etc regularly
featured real rock acts in its line-
Like many of the shows at the time Parlophone Records released a tie-