According to a Radio Times article to promote the first edition of the show Alan
'Fluff' Freeman and his agent proposed the idea for a new type of music show to BBC
commissioners back in Spring 1967. The format would feature live guests, interviews,
reviews and film clips. However, this format looked very similar to the pilot for
Freeman had proved an immensely likeable TV personality, his occasional mistakes on Top of the Pops had brought him his own kind of celebrity, so a pilot was commissioned for the end of 1967, which featured The Herd.
After favourable reviews the show was given the go-
As far as the set design was concerned Freeman found himself behind a desk again, similar to the one on Top of the Pops, looking a little like his Radio One desk setup with two 'grams' (turntables), headphones and microphone, but at the end of its run BBC’s Head of Variety Bill Cotton Junior said that the show had tried to “capture the drama of a recording studio”. While seen by some as innovative it has to be questioned why the producer wanted the set of a TV show to look like a radio studio.
The show's thirteen week run would feature many of the chart stars of the day in the studio backed by the Northern Dance Orchestra, or if they couldn't make it to Manchester a film clip of the artist would be included. A guest reviewer and an interview would break up the music to distinguish it from Top of the Pops. Fluff would also feature in a filmed insert sequence quizzing members of the public about their musical tastes.
The show was seen as the successor to Juke Box Jury and was transmitted the same night as Southern's New Release show, but just as Freeman's show was coming to its conclusion Southern Television gave his Radio One colleague Tony Blackburn a similar show with a more prominent Saturday evening time slot.
After initially reaching six million viewers it soon settled down to four and a half million, enough of a shortfall to pique interest from the press who saw it as a disaster. When it was suggested that the show would not have its run extended Freeman told Melody Maker "I've heard nothing. This is a terrible shock. My agent has heard nothing at all about the show coming off." The show would not be given an extension and was duly sent packing with Freeman reporting for duty back at Top of the Pops almost immediately.
Talking to Record Mirror in July 1974 Freeman said "The BBC gave me three months
to get that show off the ground, and that wasn't really long enough. It took Top
Of The Pops nine months to get the audience interested in tuning in, yet I was only
given three. The idea of the show was to try and bring other artists and other acts
on the box, perhaps some of whom would never have seen the light of day on Top Of
The Pops. There were a great many critics of the programme, mostly saying that all
of the turntables and all of the panel was only back-
In April 2019 a two minute clips of the show was discovered, the only know surviving evidence of the show.