Despite the perceived lack of success of her pervious Saturday tea time show Lulu was back with her own series in the summer of 1970, but this time she was very much back under the control of the Light Entertainment department. In the meantime she had been given a one off special with The Young Generation in February made in conjunction with Swedish TV.
When the series debuted in July gone were Stanley Dorfman, the more left field music guests, Johnny Harris, Pan's People and definitely no Jimi Hendrix. In were the comedy guests, the Douggie Squires Dozen dance troupe, Alan Ainsworth and his Orchestra and comedy script writers.
This change of direction seemed to be at odds with not only her previous TV outing, but her current recording contract with Atlantic Records with whom she had cut two excellent albums.
But thankfully the guests were still top shelf, Arrival, Cass Elliott, Jerry Reed, The Hollies, Matt Monro, Dusty Springfield, Fair Weather, The Moody Blues, Buffy Saint Marie, The Bee Gees and even a rare appearance by Aretha Franklin.
The next move was a strange one, It’s Lulu Not To Mention Dudley Moore, for BBC1 in 1972. This one however invited guests from the chart rather than the west end.
In 1973 she was back with her own series, this time performing in comedy routines with Adrienne Posta as characters Maggie and Trish, a song and dance duo Lu and Ade, and another with Paul Greenwood as Shirl and Eddie. The producer seems to have been a big fan of the Carpenters as she managed to get through most of their hits throughout the series. It had the usual, occasionally uncomfortable mixture of guests from pop to drama.
Again, her career choices seem at odds with each other. Her TV series belied the fact that she was again making fine albums, this time for Wes Farrell's Chelsea label.
Thankfully the show found space for The Edwin Hawkins Singers, The Kinks, Sergio Mendes and Brasil 77, Don McLean, Tony Orlando & Dawn and Bill Withers among others.