TV Pop Diaries
Pop Music on British Television 1955 -
One of the last great tea-
The show was hosted by its editor and former journalist Alastair Pirrie (Ali) who
had among his various female co-
The show was ITV's response to Cheggars Plays Pop, with a combination of games and
pop, including the Runaround-
Ahead of the show Tyne Tees' Malcolm Gerrie tried to explain to TV Times what the show was about "It is a sort of chaotic rock n roll party set in a pastoral Rupert The Beat type of environment."
Ray Jackson of Lindisfarne wrote the theme tune used for the first two series and appeared in the first series. Interviews and items on movies, musicals and dance were also regularly featured in the first series to break up the music and fill time. Also musicians like Ray Cooper, Rick Wakeman and Hank Marvin would come in and demonstrate instruments, while Kate Bush even came in with various props from her videos.
The third series sees the show move to Tuesdays and has new opening credits and a
theme by Jerome-
The fourth series introduces a new co-
Malcolm Gerrie returned as Executive Producer for the fifth series in 1983, while
guest co-
The show had outdoor location numbers as well as indoor clips, either straight performance
shots like Top Of The Pops, or little video-
The show started off courting anyone who had a record to plug, many from the mid-
In 1985 Capital Radio disc jockey Dave (Kid) Jensen took over the host's job, however Alastair Pirrie remained show editor. The show format remained the same with guest celebrity hosts, an interview or two and three acts appearing live (although miming). As the show became more popular the location clips were dropped to make room for more live appearances. Local legends The Toy Dolls provided the new theme tune, while fashion expert Annabelle Giles was brought in to make all girls look like either Cyndi Lauper or The Bangles. Before the show was over and done it won an International Emmy for Best Daytime Children's Show.
The series was dropped by Tyne Tees so they could devote more time to developing a early evening pop show based on the ILR top forty. It would be remembered for taking more chances than most pop shows and was much respected and sadly, one of the last of its kind.
A great article written with the help of by insiders was published in Classic Pop magazine
RAZZMATAZZ
Tyne Tees
2nd June 1981 -