The Roxy was ITV Network’s attempt to steal some of the thunder from BBC’s Top Of
The Pops which was enjoying a new lease of life, not only in Britain, but abroad,
particularly in America. The success of the Network Chart, a weekly top forty show,
run on the ILR radio network since 1985 and sponsored by Nescafe, was the reason
the ITV Network gave for the commission. However, off-
The show was hotly contested by many of the ITV’s franchises with Zenith Television
The producer of the series was Alistair Pirrie, the man behind Razamataz, while the studio was the one that had been used for The Tube. The set design was based on a Victorian ballroom, with just one stage, restricting the ‘live’ aspect. In fact the show was never broadcast live, being recorded the night before. The chart was compiled by BMRB who had been compiling the chart for Top Of The Pops until 1983 and announced on Friday morning, giving the producers until Monday evening to put the show together. ITV also awarded the show its own Oracle text number 196.
The first show went on the air, but there were still problems since many of the ITV affiliates couldn’t agree when to show it. Tuesday evening had been agreed by the Network (with a repeat on the Saturday morning), but it was left to the individual stations to make a timeslot available. Fearing that it would mean moving the successful farming soap Emmerdale Farm, The Roxy was put head to head with BBC1’s EastEnders, Britain’s number one rated show at the time. The programme was jockeyed from slot to slot in the regions from 6:30 to 7:30, causing friction between ITV and the show’s sponsor Nescafe. However the first show reached a respectable 7.3 million, plus another 1.7 million for the Saturday morning repeat.
Although the thirty minute show featured a top thirty chart it often went outside the chart remit when the artists made themselves available. But despite attracting several major names including Paul McCartney most acts were reluctant to make the trek to Newcastle just for a single performance. At least with The Tube you could perform a short live set.
Benny Brown was brought in to look at the international music scene, but this section
didn't last long, while the show would have a scrolling music news banner at the
bottom of the screen. There would also be a chart update as a voice-
By the beginning of 1988 the show underwent a re-
The final show was broadcast live on Tuesday 5th April 1988. Co-
Critical reaction was predictable enough, nicknamed “The Poxy” by more than one journalist. After the plug was pulled ITV fell back on Saturday morning’s The Chart Show video clip show to fill the pop gap.
Pop would become London-