TV Pop Diaries
Pop Music on British Television 1955 -
Pop on Thames Television
30th July 1968 -
Granny takes a trip to the Euston Road
TV Times announced on the cover of its July 27th -
Bizarrely making its debut on a Tuesday, probably something to do with the previous incumbent's contract date, Thames against all odds carved its own furrow, with minimal borrowing from it's ancestors Rediffusion and ABC when it came to presenting pop. Ready Steady Go and Thank Your Lucky Stars had gone almost two years' before and hadn't really been replaced with anything as good as new. In fact, Thames never had its own weekly pop show as such, but the first few eighteen months showed itself as an watchful curator of everything Carnaby Street and Swinging London, albeit still in black and white for the first fifteen months or so.
And straight away, on the first day, we were in gear. Sooty had a new resident guest, Gerry Marsden, while its twice weekly children's magazine show Magpie had a theme by The Spencer Davis Group.
This wasn't just London, it was like we were in the West End with Tommy Cooper, The Bachelors, Liberace and others all providing top notch entertainment in the first few weeks.
Several old shows were adopted by the new channel, so Opportunity Knocks and Do Not Adjust Your Set had new idents stuck on at the beginning, but they were pretty much the old shows. In fact, Thames inherited more than just a few shows. The keys to ABC's old Teddington Lock and Rediffusion's Kingsway studios were given to them, but they would eventually open their own new small studios up by Euston train station soon after.
Identity wise Thames had the most iconic, but still faintly weird and worrying ident in ITV's history. Looking like they had somehow resurrected the city's landmarks from drowning it was accompanied by a brassy calling card, Salute To Thames by Johnny Hawksworth. Despite the woeful 1989 ITV branding Thames managed to reclaim its history with an updated take on its ident in 1990, but by then it was too late.
These shows weren't just made by Thames. As they rightly claimed in its very early days, they were From Thames.
1968
The Sooty Show featuring Scouser Gerry Marsden now without his Pacemakers might have
seemed an odd choice for a new London-
1969
A slow start to the new year but The Scaffold find themselves on Eamonn Andrews'
Show on 23rd January, but the Bonzos get us back on track with the new series of
Do Not Adjust starting 19th February, and Magpie continues with Pete's Pops, Pete
Brady's weekly look at the pop scene. Thames' daily early evening news show Today
hosts The Who on 28th March, probably to talk about Tommy, while John & Yoko talk
about themselves on 1st April, returning two days' later. Scaffold were back, this
time in a Speight Of Speight on 5th May. The Shadows' Hank Marvin appeared on Frankie
Howerd at the Poco A Poco on 7th May, and singer-
Thames would continue reflecting the current pop scene, but only briefly from now on, despite its affiliation with it owner EMI. Acts would continue to appear on various Mike & Bernie Winters vehicles, Today would have odd pop guests, much to their regret in December 1976, Magpie let go of Pete Brady so goodbye to Pete's Pops, but Opportunity Knocks still provides regional pop bands like Nottingham's Paper Lace and Liverpool's The Real Thing. The real surprise was in its children's department. In 1970 Ace Of Wands debuts, created by Trevor Preston who had worked on Thames' The Tyrant King. It involved a magician, Tarot, played by Michael Mackenzie, whose psychic gifts make him an ideal sleuth. It was the theme however, that stuck in everyone's head. Released on a Parlophone 45 in July 1970 Andy Bown's Tarot can justly make its case as one of the first true Glam Rock 45s. Radio One's David Hamilton appeared as a continuity announcer for many years, as did, albeit briefly, Richard Skinner, later to appear as the chart master on Whistle Test in the early 80’s.
Thames, some say, unfairly lost its franchise in the early 90s shake-