TV Pop Diaries
Pop Music on British Television 1955 -
A children's adventure series with a psychedelic twist from the early days of Thames
Television. Three teenagers and a Scottie dog follow the clues that lead then to
the titular Tyrant King, taking in the sights of London along the way, all using
London Transport's buses and underground system to get there. "It's a micro-
The series was based on an adventure book written by Aylmer Hall on behalf of London Transport in the hope that kids would use their services during their summer holidays. However, the screenplay was provided by Trevor Preston, who would later work on another of Thames' classic kids' serial Ace Of Wands.
What draws this show's interest is the remarkable soundtrack featuring existing tracks
by The Nice, The Moody Blues, Cream, The Rolling Stones, Pink Floyd and The Beatles,
not necessarily a surprise for a documentary for its time, but quite something for
a kid's show broadcast between 5.20 -
The three stars Candy/Candice Glendenning, Kim Fortune and Eddie McMurray were Italia
Conti stage school unknowns at the time. Fortune turned 15 while filming which resulted
in a pay increase from £30 to £75 a week, as actor's union Equity now recognised
him as an adult. A TV Times piece at the time centred on fellow star McMurray's dress
sense, "The Tyrant King is a swinging series with a fab wardrobe. Edward liked the
clothes enough to buy a pair of mustard corduroy flared trousers, a Sam Browne belt,
a floral shirt, a mauve military jacket and an orange shirt." Glendenning, sartorially
correct in her go-
Referring to the climax of the final episode Meet The King TV Times claimed "The
sequence was filmed before 10 o'clock in the morning, which provided some light entertainment
for passing commuters -
Mike Hodges had been a current affairs and arts producer at Granada and ABC, transferring
to Thames in 1968. He later turned a noted movie director, giving us Get Carter,
Croupier, Flash Gordon, A Prayer For The Dying among others. He claimed that the
series, shot on 16mm film, was an exercise to prove the feasibility of creating a
lower-
This Enid Blyton does Scooby Doo adventure was shot in exquisite paisley colour, but it was only ever shown in black and white and has never been repeated. We are now only able to review this due to the Network DVD release, which thankfully only had one music cue edit due to the original inclusion of The Beatles' All You Need Is Love.
Included in its soundtracks was Cream -
THE TYRANT KING
Thames
3rd October 1968 -